Download PDF | [Routledge Worlds] Glennis Byron_ Dale Townshend - The gothic world, Routledge_ Ashgate, 2020.
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NOTES ON CONTRIBUTORS
Xavier Aldana Reyes is Research Fellow in Gothic Studies at Manchester Metropolitan University. He has published on horror, the Gothic, affect, body theory and gender. He is currently working on the forthcoming monographs, Body Gothic: Corporeal Transgression in Contemporary Literature and Horror Film (University of Wales Press) and Spanish Gothic: National Identity, Collaboration and Cultural Adaptation (Palgrave Macmillan). Bryan Alexander is the senior fellow for the National Institute for Technology in Liberal Education. He holds a PhD from the University of Michigan, and has taught Gothic literature at Centenary College of Louisiana. He is the author of The New Digital Storytelling (Praeger, 2011). Colette Balmain is an independent scholar, writer and film critic as well as a lecturer in film and media studies. Her area of research is horror cinema and Gothic studies, with a particular interest in Southeast and East Asian Cinema and Cultures. Her first book, Introduction to Japanese Horror Film, was published by Edinburgh University Press in 2008, a second edition of which will appear in 2013/2014. She is currently working on two books, one on Korean Horror Cinema (2013) and the other on East Asian Gothic cinema (2014). She is also the editor of Intellect’s Directory of World Cinema: South Korea (2013).
Fred Botting is Professor of English Literature and executive member of London Graduate School at Kingston University. He has written extensively on Gothic and horror fiction and film, contemporary writing and literary theory. Benjamin A. Brabon is Senior Lecturer in English Literature and SOLSTICE Learning and Teaching Fellow at Edge Hill University. His book publications include Postfeminist Gothic: Critical Interventions in Contemporary Culture (Palgrave, 2007) and Gothic Cartography: A Literary Geography of Haunting (Palgrave, 2013). Scott Brewster is Reader in English and Irish literature at the University of Stirling. He is author of Lyric (Routledge, 2009) and co- editor, with Michael Parker, of Irish Literature Since 1990: Diverse Voices (Manchester University Press, 2009). Previous publications include the co- edited Inhuman Reflections: Thinking the Limits of the Human (2000). He has published widely on the Gothic, Irish writing and psychoanalysis, and is currently working on a study of Gothic, tourism and travel.
Chloe Buckley is a PhD student at Lancaster University, researching contemporary children’s Gothic and Weird fiction. Her research focuses particularly on the marketing of Gothic to children, the Gothic series and the relationship of psychoanalytical narratives to children’s Gothic. Glennis Byron is Professor of English Studies at the University of Stirling. She is the author of Gothic (with David Punter, 2004) and the editor of Dracula: New Casebook (1999), Spectral Readings: Towards a Gothic Geography (with David Punter, 1999). Recent publications include essays on various contemporary Gothic texts, including Malaysian horror fiction, Zafón’s La sombra del viento , Ishiguro’s Never Let Me Go, Cronin’s The Passage, and Meyer’s Twilight. She was the principal investigator for the AHRC-funded Global Gothic network and is the editor of the forthcoming globalgothic (Manchester University Press). Sue Chaplin is Senior Lecturer in Romantic and Gothic Literature at Leeds Metropolitan University. She is the author of Speaking of Dread: Law, Sensibility and the Sublime in Eighteenth- century Women’s Fiction, The Gothic and the Rule of Law: 1864–1820, Gothic Literature: Texts, Contexts, Concepts and she co- edited The Romanticism Handbook in 2011 with Professor Joel Faflak. She is also co- editor of the online journal Literature Compass: Romanticism . Brigid Cherry is a Research Fellow in Communication, Culture and Creative Arts at St Mary’s University College, Twickenham, UK. Her research focuses on horror cinema and fan cultures, particularly the female horror film audience. She has recently published work on horror fan canons, feminine handicrafting in vampire fandom, projected interactivity in Supernatural and Twilight fan fiction, and Doctor Who fans’ responses to the return of the series. Her film guidebook on Horror was published by Routledge in 2009, she is co- editor of Twenty-First-Century Gothic published in 2011, and has edited a collection on True Blood (Tauris, 2012).
Justin D. Edwards is Professor of English Literature at the University of Surrey, England. He has published several books, including Grotesque, Mobility at Large, Postcolonial Literature, Gothic Canada, and Gothic Passages. He is also the co- editor of Gothic in Contemporary Literature and Popular Culture and Postcolonial Travel Writing.
M. O. Grenby is Professor of Eighteenth-Century Studies in the School of English Literature, Language and Linguistics at Newcastle University, UK. His books include The Anti-Jacobin Novel (2001), Children’s Literature (2008), Popular Children’s Literature in Britain (ed. with Julia Briggs and Dennis Butts, 2008), The Cambridge Companion to Children’s Literature (ed. with Andrea Immel, 2009) and The Child Reader 1700–1840 (2011), which won the 2012 Harvey Darton prize for studies in children’s literature. Katie Halsey is Senior Lecturer in Eighteenth-Century Literature at the University of Stirling. Recent publications include Jane Austen and her Readers, 1786–1945 (Anthem, 2012), and The History of Reading (2010), co- edited with Rosalind Crone and Shafquat Towheed. She has also published numerous articles on the history of reading, Jane Austen and Romantic- period print culture. Diane Long Hoeveler is Professor of English at Marquette University, Milwaukee, Wisconsin. She is author of Gothic Riffs: Secularizing the Uncanny in the European Imaginary, 1780–1820 (2010), which won the Allan Lloyd Smith memorial award from the International Gothic Association; Gothic Feminism (1998); and Romantic Androgyny (1990). Other publications include a co- authored critical study of Charlotte Brontë; the Houghton Mifflin volume of Wuthering Heights; and such co- edited volumes as The Blackwell Encyclopedia of British Romanticism (3 vols); Approaches to Teaching Jane Eyre; Approaches to Teaching the Gothic (both for the MLA); Interrogating Orientalism; Comparative Romanticisms; Romanticism and its Other Discourses; Romantic Drama; Romanticism and the Law; Women of Color; Women’s Literary Creativity and the Female Body; and the Historical Dictionary of Feminism. More recently, she co- edited a Broadview edition of Edgar Allan Poe’s Narrative of Arthur Gordon Pym (2010). She served as President of the International Conference of Romanticism from 2001–3, and is now co- editor of the European Romantic Review .
Jerrold E. Hogle is University Distinguished Professor and Director of Undergraduate Studies and Honors in English at the University of Arizona. The recipient of Guggenheim and Mellon Fellowships (among other awards) for research, he has authored or edited numerous books and essays on Romantic and Gothic literature, among them The Cambridge Companion to Gothic Fiction and The Undergrounds of “The Phantom of the Opera”. He is currently putting together The Cambridge Companion to the Modern Gothic (forthcoming) and writing actively on the Gothic-Romantic relationship, mainly in English literature. James Kelly is Lecturer in English at the University of Exeter. He is the author of Charles Maturin: Authorship, Authenticity, and the Nation (Four Courts, 2011), and editor of Ireland and Romanticism: Publics, Nations, and Scenes of Cultural Production (Palgrave, 2011), as well as numerous articles on Irish and Scottish interactions in the period. Ewan Kirkland lectures in film and screen studies at the University of Brighton. Specializing in the study of horror videogames, his work has been published in Gothic Studies, Games and Culture, Convergence, Camera Obscura and The Irish Journal of Gothic and Horror Studies. Ewan also writes on popular cinema, fantasy television and children’s culture, aspects of which he has published in Scope, Slayage and Animation. Currently Ewan is organizing a conference on the My Little Pony series.
Roger Luckhurst is Professor of English at Birkbeck College, University of London. His latest book is The Mummy’s Curse: The True History of a Dark Fantasy (Oxford University Press, 2012). Elizabeth McCarthy has published essays on Romantic aesthetics and the serial killer, the vampire body and its mutilation, WWI Propaganda and Post-WWI American Advertising, the ghost stories of Margaret Oliphant, and female juvenile delinquency in 1950s America. She has also co- edited the books Fear: Essays on the Meaning and Experience of Fear (2007), It Came From the 1950s!: Popular Culture Popular Anxieties (2011), and Forever Young?: The Changing Images of America (2012). She is the co- founder of the online journal The Irish Journal of Gothic and Horror Studies (http://irishgothichorrorjournal.homestead.com). She is currently co- editing the book Lost Souls and writing a book on True Crime literature. She teaches in the School of English, Trinity College, Dublin.
Emma McEvoy lectures in the department of English, Linguistics and Cultural Studies at the University of Westminster. She has published various articles on Gothic and Romantic topics, and is co- editor, with Catherine Spooner, of the Routledge Companion to Gothic (2007). Neil McRobert is a Doctoral student at the University of Stirling. His research focuses on the intersection of postmodernism and the Gothic, in particular the use of metafiction, parody and narrative game- playing. Other interests include Horror and Fantasy Cinema, contemporary American fiction and literature of the fin de siècle. He is the co- editor of Transgression and its Limits (2012). He is also a Postgraduate Representative of the International Gothic Association.
Anthony Mandal is Senior Lecturer in English Literature and Associate Director of the Centre for Editorial and Intertextual Research at Cardiff University. He is the author of books and articles on Jane Austen, Gothic fiction and nineteenthcentury print culture, and is one of the General Editors of the New Edinburgh Edition of the Works of Robert Louis Stevenson . James Morgart is a PhD candidate at Pennsylvania State University where he is currently studying Postwar American Gothic Literature and Film. He also serves as Director of Media Distribution for Viscera Film Festival, a horror film festival dedicated to the promotion of the work of female genre filmmakers. Barry Murnane is Fellow in German at St. John’s College, Oxford. After gaining a PhD from the University of Göttingen (2006), he was Assistant Professor for German and Comparative Literature at the Martin-Luther-University HalleWittenberg, Germany. He has published widely on Germany and the Gothic, including the recent edited volume with Andrew Cusack, Popular Revenants. The German Gothic and its International Reception, 1800–2000 (2012).
Martin Myrone is Lead Curator, British Art to 1800, Tate Britain, London. He has curated and published widely in the field of eighteenth- and nineteenth- century British art. He was curator of the exhibitions Gothic Nightmares: Fuseli, Blake and the Romantic Imagination (Tate Britain 2006) and John Martin: Apocalypse (Tate Britain 2011–12), and is the author of Bodybuilding: Reforming Masculinities in British Art 1750–1810 as well as monographs on Stubbs, Fuseli and Blake. Franz J. Potter is an Associate Professor at National University in California. He is the author of The History of Gothic Publishing, 1800–1835 and the editor of the journal Studies in Gothic Fiction .
Hannah Priest is an early- career researcher currently working as a Lecturer in Medieval Literature at the University of Manchester and as a Researcher at Liverpool John Moores University. She has published essays and journal articles on both late- medieval romance and contemporary genre fiction, and her current project is a cultural history of female werewolves (with Manchester University Press). Her research interests include sex, violence and monstrosity, particularly in fairy, werewolf and vampire narratives, and the integrity (or otherwise) of so- called “master narratives.” David Punter is Professor of English at the University of Bristol. He is the author of various works on the Gothic, of which the best known is The Literature of Terror (1980; revised two- volume edition 1996). His most recent published work includes Metaphor (2007), Modernity (2007) and Rapture: Literature, Addiction, Secrecy (2009). His latest book, The Literature of Pity , will appear in 2013.
Nicole Reynolds is an Associate Professor of English and Women’s and Gender Studies at Ohio University. She is the author of Building Romanticism: Literature and Architecture in Nineteeth-Century Britain (2010). Diego Saglia teaches English Literature at the University of Parma (Italy) and his research focuses on Romantic- period literature and culture. In the field of Gothic studies, he has published essays on Ann Radcliffe, William Beckford, narrative poetry, melodrama and other forms of stage Gothic. Sean Silver is Assistant Professor of English at the University of Michigan. His work on seventeenth- and eighteenth- century Anglophone culture addresses collections, museums, libraries, and other ways of thinking about the material past.
Matthew Wynn Sivils, formerly a wildlife biologist, is an Associate Professor of English at Iowa State University. He has published several articles on American Gothic and environmental literature, and is founding co- editor of the awardwinning scholarly journal, Literature in the Early American Republic . Catherine Spooner is Senior Lecturer in English Literature at Lancaster University, UK. Her publications include Fashioning Gothic Bodies, Contemporary Gothic and The Routledge Companion to Gothic. Her latest book is entitled PostMillennial Gothic: Comedy, Romance and the Rise of Happy Gothic . Rosemary Sweet is Professor of Urban History at the University of Leicester. She has published on aspects of urban politics and culture and on antiquarianism and the study of the past in the long eighteenth century. Her publications include Antiquaries: the Discovery of the Past in Eighteenth-Century Britain (2004) and Cities and the Grand Tour: The British in Italy, 1690–1820 (2012).
Douglass H. Thomson is Professor of Literature and Philosophy at Georgia Southern University. His most recent work on Gothic literature includes an electronic edition of Walter Scott’s An Apology for Tales of Terror (1799) for the Walter Scott Digital Archive of the University of Edinburgh; a critical edition of M.G. Lewis’s Tales of Wonder (Broadview Press, 2009); an essay on “The Gothic Ballad” in The New Companion to the Gothic (Wiley-Blackwell, 2012); and “A Note on One of the Earliest Gothic Ballads: Frank Sayers’ ‘Sir Egwin’” in Papers on Language and Literature (2010). Dale Townshend is Senior Lecturer in Gothic and Romantic Studies at the University of Stirling, Scotland. His publications include Gothic: Critical Concepts in Literary and Cultural Studies (with Fred Botting, 2004); The Orders of Gothic: Foucault, Lacan, and the Subject of Gothic Writing, 1764–1820 (2007); Gothic Shakespeares (with John Drakakis, 2008); Macbeth: A Critical Guide (with John Drakakis, 2013); and Ann Radcliffe, Romanticism and the Gothic (with Angela Wright, 2014). He is currently completing a monograph entitled Gothic Antiquity: History, Romance and the Architectural Imagination, 1760–1840 .
Isabella van Elferen is Assistant Professor of Music and Media at Utrecht University (NL). Isabella has published widely on film and TV music, videogame music, and Gothic theory and subcultures, and baroque sacred music. She is the author of Gothic Music: The Sounds of the Uncanny (2012), Mystical Love in the German Baroque: Theology – Poetry – Music (2009), and the editor of Nostalgia or Perversion? Gothic Rewriting from the Eighteenth Century until the Present Day (2007). Isabella is Division Head of Visual and Performance Arts and Audiences for the International Association of the Fantastic in the Arts. She is editor for The Soundtrack, member of the advisory board of Horror Studies, and guest editor of the Journal for the Fantastic in the Arts (2013).
Tamara Wagner is Associate Professor at Nanyang Technological University in Singapore. Her books include Financial Speculation in Victorian Fiction: Plotting Money and the Novel Genre, 1815–1901 (2010), Longing: Narratives of Nostalgia in the British Novel, 1740–1890 (2004), and Occidentalism in Novels of Malaysia and Singapore, 1819–2004 (2005), as well as edited collections on Consuming Culture in the Long Nineteenth Century (2007; paperback edition 2010), Antifeminism and the Victorian Novel: Rereading NineteenthCentury Women Writers (2009), and Victorian Settler Narratives: Emigrants, Cosmopolitans and Returnees in Nineteenth-Century Literature (2011). She has recently completed a scholarly edition of Frances Trollope’s 1843 novel The Barnabys in America. Wagner’s current projects include a study of Victorian narratives of failed emigration and a special issue on colonial girlhood for the journal Women’s Writing.
Alexandra Warwick is the Head of the Department of English, Linguistics and Cultural Studies at the University of Westminster, UK. She has published work on Gothic and on Victorian literature and culture more widely. Gilda Williams is a London- based contemporary art critic and curator, and a Lecturer on the MFA in Curating programme, Goldsmiths College, University of London. Williams is a London correspondent for Artforum magazine and was from 1994– 2005 Editor and Commissioning Editor (from 1997) for contemporary art at Phaidon Press. In her research she examines critically the meaning of “Gothic” in contemporary art, also the subject of her doctoral dissertation. Her book The Gothic (“Documents of Contemporary Art”, MIT/Whitechapel Press) was published in 2007.
Sara Wasson is Senior Lecturer at Edinburgh Napier University. Her monograph Urban Gothic of the Second World War (Palgrave, 2010) was co- winner of the Allan Lloyd Smith Memorial Prize from the International Gothic Association and shortlisted for the ESSE Award for Cultural Studies in English. She co- edited Gothic Science Fiction 1980–2010 with Emily Alder (Liverpool University Press, 2011). Her two research specialties are national Gothics and the discourse of trauma, and contemporary science fiction examined through a medical humanities lens. Joanne Watkiss is Lecturer in English Literature in the School of Cultural Studies and Humanities at Leeds Metropolitan University. Her monograph, Gothic Contemporaries: The Haunted Text, was published as part of the Gothic Literary Studies series with the University of Wales Press in 2012.
Jeffrey Andrew Weinstock is Professor of English at Central Michigan University. He is the author or editor of 14 books, including Charles Brockden Brown (University of Wales Press, 2012), The Vampire Film: Undead Cinema (Columbia University Press, 2012), and Scare Tactics: Supernatural Fiction by American Women (Fordham University Press, 2008). He is also the general editor for the forthcoming Encyclopedia of Literary and Cinematic Monsters (Ashgate). Angela Wright is Senior Lecturer in Romantic Literature at the University of Sheffield. She is the editor of “Eighteenth- century Gothic,” a special issue of Gothic Studies (14/1, May 2012), the author of Gothic Fiction (Palgrave, 2007) and Britain, France and the Gothic, 1764–1820: The Import of Terror (Cambridge University Press, 2013). At present, she is working on a study of Mary Shelley, and, with Dale Townshend, a collection of essays entitled Ann Radcliffe, Romanticism and the Gothic (Cambridge University Press, 2014).
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