Download PDF | Susan Signe Morrison - A Medieval Woman’s Companion_ Women’s Lives in the European Middle Ages-Oxbow Books (2015).
253 Pages
INTRODUCTION
Why — and How — Do We Study Medieval Women?
“T read [history] a little as a duty, but it tells me nothing that does not either vex or weary me. The quarrels of popes and kings, with wars or pestilences, in every page; the men all so good for nothing, and hardly any women at all — it is very tiresome ...”
Catherine Morland, heroine of Jane Austen’s novel Northanger Abbey (1803)
F@jj oor Catherine! Bored by history that in the early nineteenth century BS would have mainly focused on men and popes and kings and wars. If only Catherine could come back today when much medieval history focuses on gender and the everyday lives of girls and women.
Where would we be without those foremothers who trail-blazed paths for women today? Without those first brave souls who worked in fields dominated by men, women might not have the presence they currently do in professions such as education, the law, and literature. In the field of medicine, for example, many women deserve our gratitude, including those countless nameless women who, since humans evolved, assisted at the childbirths of their daughters, sisters, and friends, enabling new lives to come into the world. They passed down information about medical treatments via word of mouth, some of which was later written down. An Old English birth charm requires the speaker to utter these words as she steps over a dead man’s grave: “This is my remedy for hateful slow birth, / this my remedy for heavy difficult birth, / this my remedy for hateful imperfect birth”.' An early spell from the tenth century suggests how pregnant women tried get rid of agony during delivery. The midwife would have uttered: “A swollen woman / Sat in a swollen road; / A swollen child / She held in her lap ... The pain goes out ... Let mother earth receive the pain”. These scraps of information tell us that women attempted to control the ability to conceive a child and the pain of labor. Such charms open a window into the minds and lives of women in the past.
Duke: And what's her history? Viola: A blank, my lord ... William Shakespeare, Twelfth Night (I1.iv.110-1)
Uncredited, unacknowledged, unnoticed — is this what women have been? Virginia Woolf, the ground-breaking English novelist, wrote A Room of Ones Own in 1929. She imagined what the life of William Shakespeare’s imaginary sister might have been like, conjuring up a depressing fate for her ambitious character. Woolf suggested, “I would venture to guess that [Anonymous], who wrote so many poems without signing them, was often a woman.” Save with a few exceptions like Jane Austen and Emily Dickinson, women writers were almost non-existent on school curricula until about 40 years ago. Unlike for Shakespeare’s character, the history of women in the past, far from being a blank, has been richly carpeted with detail, wisdom, and inspiration. A massive reconsideration of women’s history has taken place.
In 1405 Christine de Pizan wrote The Book of the City of Ladies in which she catalogued the achievements of hundreds of women. Fighting misogyny (hatred of women), Christine stands as a role model for people who want to credit those who have added to the culture of the world. Designed for students in high school and university and those just coming to the history of medieval women for the first time, A Medieval Woman’s Companion balances standard histories of the past to include virtuous virgins, marvelous maidens, and daring dames of the Middle Ages.
Woolf asserted that a woman needs a room of her own in order to write. Some of the women you will encounter in this book did have rooms of their own — including secluded cells for religious contemplation as in the case of Teresa de Cartagena, a deaf nun who welcomed her solitary life as a stable refuge where she could be self-sufficient. Others created lives of daring, wit, and courage in the face of oppression, danger, and challenge. These women are now considered vital for understanding the Middle Ages in a full and nuanced way.
What are the ‘Middle Ages’?
What do you think of when you hear the words ‘Middle Ages’ or ‘medieval’? Perhaps princesses in towers, dragons, dwarves and ogres, Monty Python and the Holy Grail, Vikings with horned helmets, or the video games World of Warcraft and Skyrim. Chivalry and the cult of knighthood attract the popular Christine de Pizan and Reason clearing the Field of Letters of misogynist (antiwoman) opinion in preparation for building the City of Ladies (Bruges, Belgium, c. 1475. © The British Library Board, ADD.20698 f17)
imagination, though the flipside of heroic and noble derring-dos includes the slaughter of Jews and Muslims by Christian Crusaders. Writers inspired by medieval literature include Sir Walter Scott, whose nineteenth-century novel Ivanhoe pictures honest Anglo-Saxons oppressed by rich and snooty Normans; Mark Twain, whose hero in A Connecticut Yankee in King Arthur’s Court introduces mechanical innovations to the Arthurian Round Table; andJ.R.R. Tolkien, the great Anglo-Saxon scholar, whose Lord of the Rings series brilliantly re-imagines Old English, Old Norse, and Germanic mythology and literature.
What are the Middle Ages? When were they? And where did they occur? People in 1200 did not walk around saying, “I’m in the Middle Ages”. It was the present to them, just as 2016 or 2025 (depending on when youre reading this) is zow to you. Perhaps it was a woman who founded the Middle Ages, as was suggested in 395 by Ambrose, the archbishop of Milan. He credited Helena, mother of the emperor Constantine, at her funeral with finding the cross and nails with which Christ was crucified, suggesting that this discovery ushered in the Christian Empire.
When do the Middle Ages end? When does any age ‘end’? Think of the 1960s. When most people imagine the 1960s, they may think of hippies, peace signs, rock and roll, the Beatles, Vietnam, protests, the Civil Rights movement, and miniskirts. Do all those go away once the clock told us it was the 1970s? Did they ‘end’ on January 1, 1970? No, and so it is with any era designated by historians as a distinct ‘period’.
Different ages have understood the Middle Ages in varying ways. In the sixteenth century, religious tumult accompanied a rejection of the past, including the wholesale destruction of irreplaceable manuscripts, artworks, and architectural masterpieces by King Henry VIII’s thugs. The eighteenthcentury English historian Edward Gibbon dismissed the Middle Ages as a barbaric and superstitious backwater. Some late eighteenth- and early nineteenth-century writers romanticized the period as a rural idyll. And Victorian Pre-Raphaelites re-envisioned medieval aesthetic with their own architecture, art, and literature that extolled tragic honor and lofty ideals.
The Middle Ages in this book refer to the years 500-1500 CE in Western Europe, its civilization and culture. While the focus is on Christian Western Europe, other faiths that Middle Ages and Medieval existed within its borders will be referenced.
When writing about a particular time period, it is difficult — and unwise — to make generalizations. But there were certain continuities in Western Europe between the acceptance of Christianity by the Roman Empire in the fourth century and the start of the Protestant Reformation. The timing and naming the Middle Ages is a useful designation in many ways. It can help us focus on an historical period that has recurring elements in Western Europe. These include: the spread of Christianity and general suppression of other religions such as Judaism, Islam, paganism, and heretics. But many exceptions exist. While most western Europeans would be categorized as Christians (or heretical Christians, in some cases), there were substantial populations of Jews and Muslims within these geographical boundaries. The Iberian peninsula of Spain and Portugal provides a particularly lively example of three major monotheistic religions occupying one region. This is not to say it was always peaceful, but there was certainly an awareness of a multi-ethnic population that did not share the same belief systems or traditions. Recent work on Jewish, Muslim, and Christian women suggests interfaith interaction in various ways that included cosmetics, childbirth and midwifery, wet-nursing, business such as money-lending, caring for the dead, and slavery (as slaves and owners).
Religion remained a fundamental basis for society — not only in matters of faith, but also law, politics, architecture, art, and literature. Architects constructed monumental structures such as cathedrals, churches, towers, bridges, and castles. Urban culture expanded. Disease was combated through the medical knowledge of the time, though epidemics — such as the Black Plague of the 1340s — devastated Europe. The use of Latin in the church and law had its roots in the ancient world. Other key elements, such as the Roman Catholic Church, are still present today.
The Middle Ages was a time of great technological innovation (Gothic cathedrals), scientific advances (from optics to medicine), cultural fruition (from Gregorian chants to philosophical refinement), political and religious development (from the Magna Carta to affective piety), linguistic and literary richness (from stirring verse in the vernacular to courtly love poems), and artistic achievement (from stained glass to illuminated manuscripts). Medieval women were fundamental to many of these developments.
While this book focuses on medieval Christian European women, they do not fully represent what was happening worldwide. Women of action existed on virtually every continent (see Learn More at the end of the Introduction). Here the focus is on women of (mainly) European descent in order to show the wide range of women’s lives possible within a unified area with many similar cultural elements. This geographical contiguity allows us to see how women from related territories have a wealth of diverse experiences.
‘There is no such thing as a single ‘Middle Ages’ — rather multiple “Middle Ages’ with widely assorted lives, activities, achievements, and legacies. A twelfth-century woman doctor like Trota had more in common with her Muslim female counterpart — a healer — than she would with an English estate manager like Margaret Paston almost 300 years later. The ‘Middle Ages’ of a princess living in France in 1370 would be very different than that of a Norwegian peasant in 1050. They were different from one another, just as they are different from us. It might be best to imagine many Middle Ages — the rich and complexly woven tapestry of an era.
How do we find out what the Middle Ages ‘veally were like?
Our knowledge is determined by our sources. Scholars use primary sources, documents actually produced during the period we study. There are many examples of medieval sources from which we try to piece together a picture of the past. A source can be a written text — like a poem or a legal document. Chronicles written at the time of, or in the few hundred years after, an historical event are very useful, but need to be treated with caution. Though it may have been recorded by a medieval person either when an incident occurred or in the years following, that does not mean everything transcribed was true or without prejudice. After all, no historian is totally unbiased. Legal records give us direct information, such as laws explicitly discussing women (inheritance provisions or marital rights) and indirect information (perhaps from legal testimony, which in many cases was restricted to men). For example, in one court case concerning bigamy, a witness, Amabilia Pynder, remembers a key date — it was when she had been sent a written charm to use while in labor with her son.
The subtleties of women’s rights are impossible to generalize about since they vary over time and geographic location. Their rights were certainly noted, particularly within the domestic sphere, as wives, and in terms of taking care of children. Women’s legal responsibility depended on when and where they lived. They might be more mildly punished than men for the same crime or more severely, such as in cases of infanticide. Some law codes assessed women as being worth more than men in terms of wergild (‘manprice’ — the payment for injury or death in Germanic realms), perhaps because of their capacity to bear children. Often the ecclesiastical courts (church law) might be more egalitarian or equal than secular or state law, such as in marital rights and expectations. Marital age varied, with women in the Mediterranean region typically wed at an earlier age than their counterparts in northern Europe. A woman could be married and still exercise a fair amount of power or individual agency — power over her own destiny.
A source can also be a structure, like a building, cathedral, or monument. Feminist architectural historians point out that monasteries or cities spatially organize people according to gender. For example, we can enter a medieval convent to see how a religious woman might have understood her place in the world. Archeologists discover burial sites, tombs, and buildings, literally uncovering greater knowledge about the past. A source may be an object, like an astrolabe that sailors used to navigate. It could be clothing, like a shoe or jacket that somehow survived. It could be fashioned from glass, as in a stained glass window or a drinking chalice. Or it could be an actual body within a tomb or mass burial ground, created out of desperation due to fatalities from plague. It could be embroidery or needlework crafted by women. Feminist demographers explore women’s mortality (their length of life), fertility (how many children they bore), and migration patterns (where women might have traveled). All of these are ‘sources’.
Innovations in research can help us learn more about the past. Paleopathology looks into the remains ofhumans to determine disease patterns and how male and female bodies differently responded to illness and the environment. As one scholar writes, “The historian must become a detective, sifting and rearranging fragments of information, like pieces of a jigsaw, to attempt to reconstruct a personality”.‘ In the case of trying to figure out a queen’s spiritual learning, for example, we might look at her “book-purchase, commissions of translations, choice of chapel decoration, destinations of pilgrimages, recipients of charity, and even the names of her children”.* Clues come from written texts as well as material culture, objects that might have been given to, ordered by, or created by or for the woman in question.
Queens are one relatively well-documented group of women. Early on, from 300 to 700 CE, queenship was not yet well structured. A queen need not have been born into nobility. The father of Empress Theodora (497—d. 548) was a bear-keeper. She became an actress at his death and may have even sold her body just to get by. Justinian, who ruled as emperor of the Byzantine Empire in 527-565, was influenced by his wife in revising the law code to better women’s lives, such as making divorce proceedings fairer. Balthild, queen to the Frankish King Clovis II (d. 657), was said to have been either a slave or a hostage of higher rank. She worked to end infanticide, the enslavement of Christians, and the slave trade. Many early queens, who might have ruled along with the king and run the treasury, became recognized as saints, in part due to their patronage of churches and monasteries. Not infrequently they converted their pagan husbands. Counsel, advice, and influence constituted three ways women achieved dominance at court. The queen’s maternal role remained key to her identity. Gradually the queen, though less likely to inherit the throne than a man, became legitimized as the bearer of the king’s son and heir. The mothers of kings often could wield power, achieving royal influence. The years between 1100 and 1350 further emphasized the queen’s sole right (as opposed to a concubine or unofficial wife) to bear a dynastic heir. In mid-thirteenthcentury Norway, for example, King Hakon Hakonarson determined that only his legitimate children could take the throne. Sometimes a woman became queen regent who gained power when her husband died and her male child was still too young to rule. The queen might have had a key function as mediator or intercessor, often enabling diplomatic solutions to take place during strife. And from 1350 to 1500, we see some queens ruling in the place of their husbands who had become mentally ill or were absent at war. Some areas were even ruled by a queen-regnant, who ruled in her own right, not on behalf of another, such as Margaret of Denmark (1353-1412). She married King Hakon VI of Norway and Sweden and, through this alliance, wielded huge power after his death. Queens inherited dynastic control in kingdoms as wide-ranging as those in Spain and Italy to Eastern Europe.
Reconstructing the past
The late twentieth- and early twenty-first centuries have been a heyday of uncovering women’s history from past times. What remains to be discovered in an archive or archeological site? There is an art to interpreting this evidence. A famous medieval historian, Elizabeth Makowski astutely observes, “It’s the questions that make us scholars.”° Take, for example, Elizabeth de Burgh, lady of Clare, born in 1295. An extremely rich and powerful woman in the first half of the fourteenth century until her death in 1360, Elizabeth is welldocumented due to her high status in society. As a patroness of “embroidery, goldsmiths’ works, illuminated manuscripts, carvings in ivory and jewelry”,’ Elizabeth was an active connoisseur of such treasures. She founded Clare College at the University of Cambridge, as well as two friaries and a number of other religious institutions. She hired illuminators to decorate manuscripts; she donated and gifted books to recipients as widely varying as her own daughter and King Edward III of England (ruled 1327-1377). She was also highly committed to pilgrimage, establishing a Franciscan priory in 1347. We have records of her payments to artisans who crafted artifacts for devotional veneration. From this information, scholars attempt to reconstruct Elizabeth’s worldview and her spiritual outlook.
Elizabeth was a well-known woman of her time. Yet much information about average people has been lost or remains undiscovered. How else can we find out about the past? How did people in the Middle Ages imagine their worlds? How can we re-imagine what it was like to be a woman in the medieval period? Some sources can never be recovered, the key one being people's thoughts. Even a diary cannot include every thought. And the percentage of people who could read or write (which were taught and mastered as separate skills in the medieval period) was tiny. Much information was passed on orally. Orally produced poetry was beautifully sophisticated; we have examples of such literature eventually written down, such as Beowulf: But what have we lost? The vast majority of people we can only access through chance remarks or sources such as wills, inquisition records, and miracle accounts. How can we document the undocumented?
Literature has been used to tease out information about lives from the past and can provide many clues. A magical romance may not reflect ‘reality’ directly, yet through it we can learn about how a culture imagined itself. Fiction can give us a sideways glimpse of history. For example, we can figure out that women sang lullabies to their children. How do we know? Many songs exist in which the Virgin Mary sings such calming music to her child, Jesus.
Nursery rhymes, references to games, and carols suggest a lively presence of children in the historical and literary record.
Noble girls would have gained an education from a tutor at home or at a convent where they might be sent before marriage. Most girls, if they were taught to read, learned the vernacular or everyday language spoken at home. Did girls learn at school? They were not allowed to attend university, though many women founded colleges and universities. In Muslim countries, women were also generous and powerful, establishing religious foundations, mosques, and Sufi convents.
A peasant working in the fields before the fourteenth and fifteenth centuries would be illiterate. A 1406 statute from Parliament in England proclaimed the right “of every man or woman, of whatever estate or condition he be, to set their son or daughter to take learning at any manner of school that pleaseth them”.? Reading would be encouraged so that girls and women could access holy and devotional writings contributing to their religious education. Reading was considered a necessity for merchants and noble people to conduct business and political negotiations. Records from the fourteenth and fifteenth centuries offer tantalizing details, such as mention of an 8-yearold girl named Elizabeth Garrard attending a school run by a priest. Here she learned the Paternoster, the Ave, and Credo, “with further learning” [see ‘Vernacular’ in the Glossary]. There were schoolmistresses, such as ‘Agnes, doctrix puellarum’''® (teacher of girls) from before 1440. And a will from a London grocer in 1406 bequeaths 20 shillings to be left to a schoolmistress.
What would children have read and been taught? We have evidence about boys’ education from the male enclaves of grammar schools where youths were taught Latin. Courtesy books from the later Middle Ages, aimed more at boys, attempted to instill good behavior during social situations. A knight in the 1240s wrote a book in verse to help Denise de Montchesney teach her children how to learn French. Juliana Berners is said to have written a guide for youths on how to identify animals and hunting terms. Since it was in rhyme, it would be easy to learn by heart. She even explained why the hare excretes poop pellets while standing up:
All beasts that bear suet, and stand upright, you must see, Let their scat fall when they stand, you may be sure of that, And other beasts — the squatting kind — get rid of it when they squat.'!
Children’s natural interest in toilet matters was present in the Middle Ages and is, in fact, of great importance in the field of natural history and hunting — even today.
ABC books also existed, such as one by Geoffrey Chaucer, the great English poet of the late fourteenth century. Not unlike our ‘A is for apple, B is for ball’ books teaching reading, the ABC poems typically included religious sentiments. In this poem, each stanza begins with a letter of the alphabet and praises the Virgin Mary and child. Here is the stanza beginning with ‘G’:
Gracious Maid and Mother! Who was never bitter, neither on earth nor in sea,
But full of sweetness and of mercy ever, Help, that my Father be not angry with me!”
Another verse, Zhe Good Wife Taught Her Daughter (mid-fourteenth-century) depicted the scene of a mother advising her daughter on how to conduct her life. Each four-line stanza ends with a memorable and sensible proverb.
And if thy need be great and help is short,
Go thyself and do a housewife’s work:
[The servants] will do better if their mistress by them stands; Work is done sooner by many hands.
Many hands make light work."
Women’s literacy is much researched. Ample evidence suggests numerous women owning books; we know of this from wills, such as one from Joan
Buckland, a fishmonger’s daughter, who died in 1462. She bequeathed religious books to Syon Abbey. In return, she asked for the nuns to pray for her soul. Beatrice Milreth, the widow of a London merchant, left a number of holy texts as well as a French primer in 1448. Not all books were strictly devotional in nature. The allegorical poem Piers Plowman was left to Agnes Eggesfield by one William Palmer in 1400. Eleanor Purdelay left Marie de France’s Saint Patricks Purgatory to her servant, Johanna, in 1443. Many more wills and church court material need to be discovered and analyzed for evidence of women. Perhaps you can do this research one day and add to the knowledge we are gaining about women of action in the Middle Ages.
How to read the Middle Ages
Christian scholars in the Middle Ages would interpret the Bible in various ways. A standard method was to see a moment in the Jewish Bible as prefiguring a moment in Christian Scripture. For example, Jonah trapped in the belly of the whale (Jonah 1-2) prefigures Christ’s descent into Hell for three days after his crucifixion (Ephesians 4:8-10). Making these links trained Christians to read the world allegorically or symbolically. Medieval literary texts expect us to read that way too.
In the Old English saint’s life of St Agatha, a cruel pagan governor named Quintianus desires the virgin Agatha as his lover. He sends the devout Christian girl to a depraved woman named Aphrodisia to pervert her. Yet Agatha remains steadfast in her faith. The writer tells us:
When Aphrodisia saw she could not bend the mind of the maiden with her shameful temptations, she went to Quintianus and said to him, “Stones may soften and stiff iron become like molten lead, before the faith in Agatha’s
breast can be ever extinguished.” “
Aphrodisia speaks metaphorically. Agatha’s faith is not physically in her breast, but spiritually in her heart. Quintianus, though, is ignorant and faithless. He cannot read allegorically and has Agatha’s breasts torn off. Not only does God restore her breasts, but, as Agatha defiantly tells her torturer, “I have my breast sound in my soul”.’° This is a standard scene in a legend praising virgin martyrs, girls who, though young — sometimes as young as eight, more typically in their early teens — fearlessly stand up to male authority, including their own fathers when necessary. The heroines of these legends acted as role models for young women to remain firm in their devotion.
Are these girls and women feminists?
Can we apply a modern term to an earlier age? If we adhere to this definition of a feminist — ‘a woman who valued other women as women’”’ — we will see that, yes, some of our women were feminists. A feminist acts to fulfill her inner calling, as Margery Kempe does. A feminist helps others to achieve fulfillment, like Hildegard von Bingen who sets up a convent for her fellow women. A feminist takes on a ‘man’s role; like Joan of Arc, Margaret of Beverley, and the explorer Gudrid Thorbjarnardottir. A feminist champions the idea that women should be recognized as human beings, like Christine de Pizan. There are many types of feminists and feminisms.
Some stories may seem strange or odd. How could someone really believe that visiting a saint’s bone would help heal her? Why would someone scream and cry at the thought of Christ’s crucifixion? Why would anyone put up with the oppression caused by husbands or fathers? If we ‘think medievally’, women and their actions can be understood in the time they lived in, not judged by us now. It is not necessary to agree with every view expressed by writers and thinkers. Rather, consider how a tenth-century Saxon girl would have read Hrotsvit’s plays. Or how a twelfth-century Frenchwoman would have understood Heloise’s love story. A number of prominent medieval women were visionaries — seeing heavenly beings or hearing voices. While many people today reject the idea of visions, many medieval people did believe it.
Self-determination for a medieval woman might, at times, differ from the agency of a post-medieval woman. That is, it may not seem like ‘freedom’ to permit oneself to be walled up into a cell next to a church as an anchorite (religious hermit), but for medieval people such a spiritual guide would be considered a woman of action and power, worthy of great respect. Her action of praying was perceived as achieving something valuable, perhaps even more so than conventional, physical forms of movement.
These women are significant because, first of all, we have evidence of them in documents. Their stories show how they survived and thrived even when circumstances might have crushed their spirits. They show how they made their way in a world in which they were told they were lesser than the dominant group — men. Many of us can relate to this, whether it is in terms of gender, age, class, race, sexual orientation, or religious faith. Lastly, these women teach how never to lose hope despite trying circumstances.
The women in this book both defended women from misogyny (hatred of women) and showed the many possible paths for women in the Middle Ages. Some were saints; some definitely were not. These daring dames show something true in the Middle Ages and today: women should be allowed to be what everyone should be given — the right to be human.
The Light Ages
Petrarch, an Italian poet living 1304-1374, was credited with “putting the darkness in the “Dark Ages’”,'” though the term itself does not appear in English until 300 years after the Middle Ages. ‘Dark Ages’ suggests a time of dissolution, deprivation, destruction, and death. But the medieval period was not a time of darkness. Light filtered through the stained glass of the jeweled box that is the thirteenth-century church Sainte Chappelle in Paris. Brightness glittered from the sparkly illuminated manuscripts toiled over by monks, nuns, and scribes for the greater glory of God. Hildegard von Bingen imagined flames of fire as she had visions of God, whom she called the ‘Living Light’, whose “splendid Light pours forth all that shining fire”,’* illuminating her. These women, the Lovely Ladies of the Light Ages, shed a luminous glow.
Learn More Sources about women’s history from around the world can be found at: http://www.fordham.edu/Halsall/women/womensbook.asp.
How to use this book
A Medieval Womans Companion introduces readers to medieval history, medieval women’s lives, Catholic beliefs, and the art and literature of the Middle Ages. This volume is intended for a general audience and to help students in high school and college to become familiar with a vast array of aspects affecting medieval women’s lives. Most chapters focus on a particular medieval woman, while a few look at general issues, such as language, medieval understandings of the body, and the importance of clothing in the Middle Ages. The final chapter suggests ways in which recent feminist and gender theories both can enhance our understanding of medieval women’s lives and be shaped by the experiences of medieval women.
BCE and CE refer to ‘Before the Common Era (formerly “BC’) and ‘Common Era’ (formerly ‘AD’). If you see something like this — ‘b. 1245’ or ‘d. 1413’ — it means the person was born or died in that particular year. If you see ‘c. 1413’, it means something happened about (circa) that year. Birth and death dates are notoriously uncertain from the medieval period, so sometimes just the century the person was active in is indicated. When in doubt, I opt for the date one scholar convincingly suggests, fully admitting another scholar may have a slightly different date. If you see a date like this — 1155/56 — it means the activity took place in one of those years, we just are not exactly sure which one.
Every quote you read in the portraits of our women was written im the Middle Ages. If there is a difficult word or concept, check the Glossary for handy reference.
Several sections in the back of the book contain more information about medieval women. The Bibliography lists the sources used for this book. The Primary Sources are modern editions of works written im the Middle Ages. The Secondary Sources are work written recently about the Middle Ages. The section called Websites lists some reliable and fascinating virtual pages to explore. The end of each chapter suggests ways to Learn More about the woman under discussion, whether by reading a book written in the Middle Ages or exploring material about the Middle Ages, such as seeing a film, hearing some music, or reading recent fiction inspired by the Middle Ages. The website and blog at http://amedievalwomanscompanion.com/ accompany this book.
About the images: We have tried to contact all copyright-holders of the images in this book. If, through accident, credit has been missed, please contact the author and publisher so that arrangements can be made.
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